Overall, this year is good for love and romance with your loved one. Help poor people and distribute black gram on Saturday in a temple. Offer flour to ants. Act in a behaved manner with your colleagues. Wear a diamond or opal of good quality. Serve cows and take the blessings of young girls.
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Sign Up. Paid Services Reports. Phone Consultation. Lal Kitab. Birth Time Rectification. Vevers unveils his reimagined version of the Coach heritage. Reminiscent of the Nineties, with a Seventies-inspired earthy color palette, the collection shows his personal take on what a vintage piece of Coach might look like. The revisionist picture is merging modern tendencies with their archives, whilst reenergizing the horse-and-carriage emblem.
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The iconic logo evolves into a pattern, repeating itself throughout the whole collection. The created pattern feels fresh imbued with a distinct old-school feel, playing on notions of heritage and the contemporary craze for brands and logos. Despite massive strides over the past decade, discrimination based on sexuality still prevails. Summer starts early this year, as Italian retail group Net-A-Porter invites its guests for a getaway in the Greek sun.
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For three days, designers, models, influencers and friends of the brand alike come together at the Amanzone Resort Villas to celebrate the warmest season in all its facets. Over three days, Net-A-Porter, in partnership with Zimmerman, Chopard and Sisley-Paris, offered their invitees extraordinary entertainment, tailored exclusively to highlight the spectacular Grecian landscape.
In this breathtakingly beautiful setting, it was the guests that stole the show, bringing to life all the aspects of high summer fashion, from essentials for pool or beachside to cocktail attire and partywear. To complete the looks, Chopard made available a selection of limited-edition jewels, which were worn by some of the guests throughout the week. Here, an exclusive curated collection of high summer essentials, featuring brands such as Zimmerman, Aquazarra and Wandler awaited the guests.
This summer, Net-A-Porter unveils the Jet-A-Porter vacation shop, revealing a complete curated summer selection ideal for a summer city break or beach vacation. In the meantime you can shop the pieces at www. His three apprentices augment their Three Boys From Pasadena, created ten years ago, with new works. London-based house Dunhill looks back into its past and rediscovers a series of hand-painted illustrations first introduced with the Aquarium lighters in They received their name, due the material's optical reflection of the light, giving them the appearance of a large fish tank.
These intricate nature-inspired motifs of fish and birds, were re-contexualised and reimagined as prints for a series of modern pieces, such as bombers, swim short or sneakers. As expressed by Mark Weston, the whole collection expresses a certain tension in parts due to the old reinterpreted in new forms, the ageing motifs with a newfound relevance, so as the Art deco inspired motifs on hand-painted lighters become fabric prints for items such as belt bag. Despite the new polished format of these prints, Dunhill keeps in touch with their origins. Aside the summery capsule collections of modern clothes, they also feature an exclusive revamp of the original lighter, using the same traditional methods and a exquisite palladium or gold plated finish.
This very limited edition only consists of 15 lighters per colorway, each individually engraved and numbered. One year after his passing, multifaceted artist Getulio Alviani, pioneer in the movement of kinetic art and Op-Art, was celebrated in the framework of the 58th International Art Exhibition of the Venice Biennale.
By applying his visual experimentations with light and optical illusions to sartorial endeavours, designer Marucelli constructs wearable pieces of art, transforming and evolving with movement and in relation to the body that wears them. The exhibition is open to the public until the 30th of May in the Palazzo Barbaro in Venice.
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Before the influences from across the Atlantic reached and popularised this visual urban language across Europe, Amsterdam had its own home-grown graffiti culture. Their styles were as varied as their messages, creating graffiti unlike any others. The exhibition features the work of portrait and fashion photographer Tom Jacobi, who travelled two years over seven continents to capture archaic landscapes that are dominated by brightness.
Into the Light symbolises the striving towards light from out the darkness, in search for the meaning of life, gazing up towards the sun that fills with the brightest of all colors: white. White occupies a particular position in the spectrum of colors and has an essential influence and meaning in the exhibition and how the color is interpreted in different societies and cultures. The maison of Louis Vuitton launches three new scents on April 4th , just in the nick of time for the first burst of summer weather.
With a triptych of pop colors and the scent of summer optimism, these eaux de parfums announce and prolong that spirit of summer that is so often tragically fleeting. Conjuring up sizzling patios scattered with cacti, beaches etched in foam and the one-of-a-kind California landscape, it unleashes a sense of freedom and passion notorious of the West Coast.
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Master Perfumer Jacques Cavallier Belletrud has concocted a formula bodied with airness that lingers on the skin, ensuring that permanence so yearned for on endless summer nights. The inherent natural properties are brought to the fore, the perfumes consisting of the rarest and rawest of materials.
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An olfactive melody of orange blossom, citron and musk evokes rays of sunlight reflected off of the sea surface. Cactus Garden is a frisson of emotion introducing more bitter notes of Calabrian bergamot combined with the traditional mate and lemongrass. This powerful aroma injects a certain energy associated with lounging on the patio, recovering sheltered from the heat.
The final scent is Afternoon Swim, an explosion of juice. Rejuvenating and magnetic; the profound mandarin note emits a distinct freshness. The sprinkle of ginger allows it to set sail, then is pulled back again for savoring through the creamy ambergris and orange. Los Angeles native artist Alex Israel designed the packaging for the respective scents, pairing emblematic artwork with the spirit of the fragrance to appropriately capture each scent.
The show represents the dynamic creative work of New Zealand born artist, photographer and filmmaker Sharna Osborne. Her work is praised for the beautiful details that are often highlighted. Osborne created a physical space full of imagination and wonderment for this show. She used a personal selection of her work to create an innovative intimate approach to the contemporary standard of femininity.
Special and unique is that the installation is intrinsically connected with the collection itself. Both form a storytelling interaction by consisting an arrangement of frames, supports and structures that shape a chaotic and absorbing ensemble of divergent narratives. The model path unfolds playfully through the hall and brings the installation with the models to life.
The catwalk is a confrontational embodiment of images, opinion and language about fashion as an intimate extension to femininity. This metamorphosis envisioned by the late Karl Lagerfeld with Virginie Viard makes for an romantic, emotional event, fondly and fittingly exhibiting everything about the brand that Karl so loved and fought for. Radiating elegance and class, the collection is quintessentially CHANEL, silhouettes are accentuated with both the masculine and feminine cuts in a palette of clean winter whites, beige, navy blue and black, the perfect foundational coat for the flashes of emerald, purple, brick reds and fuchsia.
Tweed fedoras are dusted with snowflakes, paired with tartan, houndstooth and big check motifs. Tweed is certainly a core fabric this collection, both top stitched and quilted, asserting its masculinity with high-waisted wide-cut trousers and layered with great enveloping mini capes and overcoats that warmly wrap the silhouette in a blanket like fashion. All motifs and small touches evoke the theme and setting. Although confident and crisp, there is a distinct softness to the collection. White pearl earrings and knitted scarves in embroidered chiffon are just some of the details that emanate an air of sophistication.
The feminine of course is unavoidable with floaty maxi volumes in Claudine collars and delicate shirts. Snowball skirts and chiffon feathers bring in a sense of modernity and youth. It has been exactly 2 years, when backstage after his Fall show Rick Owens mentioned how he was tired of being a downer, wanting to be more optimistic celebrating humanity and life. Rick Owens is certainly the real living high priest of fashion who true to his words continues to surprise us.
For next Fall Owens led us to an incredible dose of sexiness and glam we have never seen before: alluring bodysuits and short dresses twisted and knotted with long floor-swiping trails nodding to Hollywood gala. Some featuring the famous Fortuny prints. Matched with tailored blazers and coats with sculptural shoulders once again recalling — following Menswear — his hero, American designer Larry LeGaspi, who dressed the likes of Grace Jones, and the likes of legendary rock bands Kiss, Labelle, Divine in the 70s.
But there is another source of inspiration in the collection, another legendary American designer who later that evening after the show was celebrated at Joyce Gallery at the Jardin du Palais Royal with a small exhibition and the launch of a book with preface of Rick Owens himself: Charles James. James lived in the legendary Chelsea Hotel and was a master in building a sculptural shape for evening dresses but also was interested in developing new shapes.
In one of the archive pictures shown at the gallery we see a young Pat Cleeveland wearing a pair of shorts he creates in 38 and decades later developed into leather. A series of reversed blazers with silver cowhide or nylon puffer are certainly playing references between James and LeGaspi. Owens staged a spectacular collection. And the alien-like make up by prodigy Instagram talent Salvia - an ode to body modification - was the perfect element to further take ours breath away. The first looks already set the mood: long wool coats, dazzling tuxedo blazer with boxy sculptural shoulders, beautifully tailored.
But the collection also featured the vertiginously short minidresses Vaccarello is known for in the last looks that stormed in the catwalk as a totally different happening hinting the most deepest night ahead: fluorescents with matching shoes.
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Looking at their silhouette you can see a reinterpretation of some lines from the iconic collection by Yves Saint Laurent, clearly addressed by Vaccarello who has been constantly researching the archives. The light installation inside the venue between Matrix and the Tour Eiffel light spectacle — the latter usually accompanying the show during summer time — was a magnificent set for a magnificent collection.
This time at the grand hall of the Deposito, Prada unveiled to us its darker side. Boxier forms and heavy tops feature, a look that combined with the plaited hair cannot help but remind us of the precocious Wednesday Addams. Crimson red makes its expected appearance throughout both in accessories and in the garments themselves. The former looks however, are a stark polar opposite - much preppier and defiant.
Contrasts between two feelings, embodiments and extremes: masculinity and femininity is what this collection expresses.